Artist Talk『Framing Phenomena 〜出来事を捉えること〜』

環境による現象を作品の息吹として取り込み、イメージを定着させることを絵画という形式で試みてきた木下令子。 環境に対する身の置き方や物質との関わりは、制作プロセスへと変換され、強く結びついています。 布から紡がれるイメージの原風景、窓越しに感じられる景観と色彩、名もない時間へのまなざしなど――これら独自の世界観は、作者自身が捉えた感覚のあかしとして作品へと昇華されています。 

本トークは、作者自身の回想録であり、作品の源泉をたどるトレイルでもあります。 流れる時に寄り添いつつ、一瞬の出来事を追い求めてきた作者が見てきた近景と遠景を横断しながら、奥行きに満ちた作品を鑑賞者と共に巡りたいと考えています。 どうぞ、お気軽にご参加ください。

Reiko Kinoshita has long employed painting as a means to incorporate phenomena produced by the environment—capturing them as the very breath of her work and anchoring vivid images into permanence. Her way of positioning herself in relation to her surroundings and engaging with materials transforms into a creative process that is profoundly intertwined with her art. The primal imagery woven from fabric, the landscapes and hues perceived through a window, and her attentive gaze toward unnamed moments—all of these unique visions are sublimated into her creations as a testament to the sensations she has personally absorbed.

This talk serves both as the artist's memoir and as a trail that traces the origins of her work. As one who has journeyed with the flow of time and relentlessly pursued ephemeral moments, the artist invites us to traverse both intimate and distant vistas she has witnessed, exploring artworks imbued with deep dimensionality. We warmly welcome you to join us.

登壇者：木下 令子

日時：3月29日（土）16:00〜17:30

会場：SUCHSIZE

料金：入場無料　※先着15名

Reiko Kinoshita Talk

Event Date: March 29, 2025 (Sat)

Time: 16:00 - 17:30

Venue: SUCHSIZE

Admission: Free (First 15 attendees)

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Reiko Kinoshita | 木下 令子  (b. 1982, Kumamoto, Japan)

2009年武蔵野美術大学大学院 造形研究科美術専攻油絵コース修了。「うつろう時間の経過を絵にすることはできるだろうか」という問いを軸に、日焼け・感光・移動といった現象を取り込みながら、手で描かれざるイメージを探求する。筆を使わず、紙や布の折り目や質感を意図的に取り込み、スプレーガンで霧状のアクリル絵具を吹き付ける技法で絵画を制作。作品によっては、制作後も環境に応じて変容し続けるものもあり、捉えきれない事象や事実に迫る試みを行っている。

Graduated from Musashino Art University Graduate School, Department of Painting, Fine Arts Course in 2009. Centered on the question, “Can the passage of fleeting time be captured in painting?”, Kinoshita explores images that are not rendered by direct hand-drawing, incorporating phenomena such as sunburn, photosensitivity, and movement. Eschewing the use of brushes, her technique intentionally embraces the natural folds and textures of paper or fabric while applying acrylic paint in a mist-like form using a spray gun. In some works, the canvas continues to transform even after completion as it reacts to its environment—an approach through which she endeavors to engage with elusive phenomena and realities.